If you hear something, free something
campaign creative direction for a public art project
by arist Chloe Bass
installed across the mta system

curated by diya vij for creative time

with MTA Arts $ Design

photography by ally caple



I was commissioned by Diya Vij at Creative Time to create the campaign and identity for If you hear something, free something, an ambitous sonic intervention in the MTA’s massive system of public address by artist Chloe Bass. 


The work centers around several questions:

What do we hear when we ride public transportation?
Who is speaking to us?
What are we being asked to do?

The challenge was in making the voice distinct from the dominant cadences of MTA language: the seduction of ad-space and the authoritative tone of public address.

Furthermore, to do with respect for the project ethos—to subvert the instructive tone of public address with a softer suggestion that might disarm or momentarily break from growing feelings of fear and distrust—offering moments of surprise, reflection, levity, and connection.


In an initial meeting Chloe gave me direction that went something like “what would it be like to feel held by a very loud sound.” I’m not sure if I acheived this, or if graphic design can, but I did eventually find a way to inhabit the ethos of the project.

It became clear at some point that the tools I was using were not capable of producing the results I needed. In other words my formal training had become a hinderance so I moved away from it. Somewhere between chance and necesity I began inviting other people—anyone, really—to participate in creating the look and feel of the campaign.


The resulting images feature hand-held signs written in black sharpie on bond paper made by regular people, then inserted into the image by the hands of whoever was available and willing on site while shooting with photographer Ally Caple.

This gesture works on multiple levels. It refers to Chloe’s previous work, distributes visual choices more democratically, breaks the “4th wall” by bringing the public into the frame, and highlights the site specificity of the work.


Posters (in seven languages) were (rather ad-hokishly) placed in every station where the project was installed. The design system uses a medium weight of Neue Haas Grotesk, the MTA’s official typeface, to frame the campaign imagery, providing nothing more than what is necessary to communicate.


There was also a live performance in Fulton Station, which featured all of the voice actors Chloe worked with for the project.

The project occupied over 50 screens, including the project title scrolling in seven different languages.


After the performance, the campaign still occupied the screens for several minutes at the top of every hour for the entire month.


Including a massive Jumbotron screen.


One of my favorite parts of the project was the inclusion of ASL interpreters on the screens throughout the system.


These were preceded by title cards that named the theme of the announcement and incorporated more of the campaign imagery.


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